摘要
以乡土叙事连接少数民族文化传统,是百年贵州作家的不贰选择。"五四"时期蹇先艾的小说有一种内蕴的"民族志"视野,抗战时期则是对民族民间歌谣的重新发现;"十七年"时期到改革开放的80年代,贵州作家的民族书写则出现了新的模式以及对这种模式的突破和改写。目前活跃在创作一线的第四代贵州作家,他们对地域性与民族性的书写,带有明显的反思性和后现代性,并伴有新文本的试验,包括对少数民族口头传统的接续。
The depiction of the cultural tradition of ethnic minorities through the local narrative has been the sole choice for Guizhou writers for one hundred years. During the ＂May 4th Movement＂ there was in Jian Xianai＇ s novels an intrinsic view of ＂ethnography＂ ; while Guizhou writers focused on their rediscovery of the national folk ballads in times of the War of Resistance against Japan, and the national writing of Guizhou writers have witnessed a new model as well as a breakthrough and rewriting of the model from the ＂17-year＂ period to the 1980s--an era of economic reform and opening up. Now as for the 4th-generation Guizhou writers active in their creation, their depiction of regionalism and national character is of distinctive reflexivity and postmodernism along with new experiments in texts, including the narration of the oral tradition of ethnic minorities.
出处
《海南师范大学学报（社会科学版）》
2012年第10期103-107,144,共6页
Journal of Hainan Normal University(Social Sciences)
关键词
民族书写
贵州作家
歌谣
第四代
national writing
Guizhou writers
ballads
the 4th generation
