摘要
滦州影戏剧本《白蛇传》与传奇《雷峰塔》有着比较密切的关系,两者之间的演变过程承载着雅俗文学分野带来的一些变异。连台本《白蛇传》与相关单出之间的差异折射出影戏创作过程中的一种现象,一些单出成为文人或艺人创作的试验地,从而产生了一批新创的影戏小剧本,因此也在一定程度上拓展了影戏剧本的情节容量与艺术内涵。
The Script of The Tale of the White Snake （白蛇传） of Luanzhou shadow play is closely related to Leifeng Pagoda （ 白蛇传,）, a short story of marvels. The development of their relationship reflects the change car- ried by the separation of refined and popular literature. The difference between The Tale of the White Snake （ 白蛇传） of Liantai edition and related dramatic pieces demonstrates a phenomenon in the writing process of shadow play. Some dramatic pieces become experimental field of literati and artist, thereby a series of new small script of shadow play is written. Consequently, the plot content and art intension of shadow play script are extended to some degrce.
出处
《辽东学院学报（社会科学版）》
2012年第6期72-76,共5页
Journal of Liaodong University：Social Science Edition
基金
国家社会科学基金项目(11XZW043)
关键词
传奇《雷峰塔》
滦州影戏剧本《白蛇传》
题材演变
内部差异
Leifeng Pagoda （雷锋塔） in the style of a marvel story
script of The Tale of the White Snake（白蛇传） of Luanzhou shadow play
theme evolution
internal difference
