摘要
沿江佛教文化是道、儒、禅多家文化思想的集大成者,该地区佛教寺庙建筑是皖北的道家文化和皖南的儒家文化发展的实物见证,宗教寺庙建筑是古建筑遗产中的精华,寺庙建筑集结了宰相王俯、皇室宫殿、封建祭坛等建筑的最高水平。分析沿江地区佛教寺庙建筑内部的陈列设施和空间布局的文化意境,并与现代园林布局比较将对佛寺建筑的格局研究以及佛教宗教建筑的保护和借鉴有一定的历史文化价值。
The Buddhism culture along the Xin'an River is the epitome of cultural thoughts of Taoism, Confucianism and Buddhism. The Buddhist temples in the region are the material evidence for the development of Taoist culture of north Anhui and Confucian culture of south Anhui and the essence of ancient architecture heritage representing the highest construction level for building prime minister mansions, royal palaces and feudal altars. This paper analyzes the culture connotation of the internal display facilities and the space layout of the temples along the Xin'an River, and compares it with the layout of modern gardens so as to provide historical and cultural value for researches on Buddhist temple building patterns and the protection of Buddhist architecture.
出处
《黄山学院学报》
2012年第6期134-136,共3页
Journal of Huangshan University
基金
2012年安徽省高等学校优秀青年人才基金项目(2012SQRW191)
关键词
沿江
佛教
寺庙建筑
空间布局
along the river
Buddhism
temple
space layout