摘要
陇南白马藏族傩舞戏主要包括池哥昼、甘昼和麻昼三大类,其服饰最富特色的是生活化和滑稽性结合统一的池哥昼、甘昼傩舞戏服饰。相比而言,麻昼服饰在艺术性和丰富性方面则更胜一筹,显示着白马藏族傩舞戏独特而深刻的文化内涵。整体来看,艺术化和程式化是白马藏族傩舞戏服饰发展变化的两极,在白马藏族娱神和娱人的傩舞戏表演中,服饰穿着则遵守着其独有的规则。
Longnan Baima Tibetan exorcise dance - dramas consists of Chigezhou exorcise dance - drama, Ganzhou exorcise dance - drama and Mazhou exorcise dance - drama, whose performance apparels are of out- standing characteristics. Performance apparels dressed in Chigezhou and Ganzhou exorcise dance -dramas are a unique and profound cultural mixture of daily - life and comicality while Mazhou exorcise drama apparels show a unique and profound cultural connotations with a richer and more artistic designs. Generally speaking, Baima exorcise play dresses are developing and changing into the two extreme tends of artistry and stylization. On the other hand, the human- entertaining and gods -entertaining exorcise dance -drama apparels are dressed to comply with their respective uniqueness.
出处
《昆明理工大学学报（社会科学版）》
2012年第6期88-95,共8页
Journal of Kunming University of Science and Technology(Social Sciences)
基金
国家社会科学基金项目"白马藏族文学的整理与研究"(11XZW023)
教育部人文社会科学研究规划基金项目"陇南白马藏族美术文化的整理与研究"(09YJA760016)
甘肃省高等学校研究生导师科研项目"陇南白马藏族民间文学整理和研究"(1128-01)阶段性成果
关键词
陇南白马藏族
傩舞戏
表演服饰
池哥昼
麻昼
Key words： Baima Tibetan Nationality in Longnan
exorcise dance -drama
performance apparel
Chigezhou exorcise dance- drama
Mazhou exorcise dance- drama
