摘要
在中国电影史上 ,知识分子题材出现过三次浪潮 ,即 40年代后期、70年代末至 80年代中期和 90年代。第一次浪潮出现的知识分子分为三类 ,即刚正不阿的正义者、随波逐流者和为情所困者。第二次浪潮出现的知识分子也分为三类 ,即为政治所困者、为日常生活所困者和为传统文化所困者。第三次浪潮出现的知识分子分为两类 ,即为家庭所困者和茫然的求索者。其成就和不足 。
There are three waves of the intellectual theme in the history of Chinese film.They are the late 1940s,the time from the late 1970s tt the late 1980s and 1990s.There were three kinds of intellectuals in the first wave:those who were upright and never obsequious,those who drifted with the current and those who were tangled in the dilemma of love.In the second wave the focus was shifted to the intellectuals who were politically persecuted or distressed by the trouble in the life or fettered by the traditional culture.The intellectuals who were under the strain of family life and who were frustrated in their pursuit of the truth characterized the third wave.Inspiration could be derived from either the success or the failure in creating these characters for the production of films with the same theme in the future.
出处
《南京师大学报（社会科学版）》
CSSCI
2000年第1期104-109,共6页
Journal of Nanjing Normal University(Social Science Edition)
