摘要
在明代传奇中,净的脚色内涵是非常丰富的。折子戏的出现,加速了净脚与其他脚色尤其是丑脚在职责、内涵上的分化,净脚逐渐形成以粗犷豪放为底色的行当特征。折子戏使净脚从全本中的配角成为本出的主角,最大程度地发挥本行当的特点,并在反复演出中强化这些特点。折子戏的发展促进了各种脚色的细分,让每种脚色都有作为主角尽情发挥的机会,从而形成了各自行当的鲜明特色,净脚的发展就是一个很好的例证。
In the Ming Dynasty legendary, the role of ＂ Jing＂ contains rich meaning. The emergence of Zhezi Opera accelerates the differentiation of the role of ＂Jing＂ from other roles, especially the role of ＂Chou＂ （clown）, in function as well as in content, and the role of ＂Jing＂ has gradually gained the attributes of straightforwardness and unconstrained boldness. Zhezi opera has rendered the transformation of the role of ＂Jing＂ from a supporting role in the full play to a leading actor in the specific excerpt, giving full play to the characteristics of the role and intensifying the characteristics in the repetition of performance. The development of Zhezi opera has promoted the subdivision of all roles, offering opportunities to exhibit their talent as the leading performers to the full extent role thus forming the distinctive characteristics of each type of role, and the evolvement of the role of ＂Jing＂ is an excellent example as such.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2012年第4期101-106,共6页
Drama:The Journal of the Central Academy of Drama
关键词
折子戏
净脚
演化
Zhezi opera, the role of ＂Jing＂, evolvement
