摘要
二十世纪五六十年代的台湾,在国民党"反共复国"的政治口号和"反共文学"、"战斗文学"的文艺政策下,女作家及其文学总是在国族大叙述的洪涛大浪中,被贬为"闺秀文学"、"主妇文学",然而实际上,该时期女性作家正是经由"私领域"的琐碎书写,在男性家国大叙述的时代背景下,建构了自我性别意识和主体意识,开拓了女性文学的一片天空。她们的作品一定程度上突围了家国政治下传统温婉女性的定位,并解构了该时期男性笔下的家国图景,具有鲜明的女性性别意识和主体自觉意识,为二十世纪八十年代女性主义文学的辉煌奠定了基础。
In the grand state narration, women writers and their works are denounced as ＂Girls＇ Literature＂ or ＂Housewife Literature＂ for their elegant and delicate aesthetic characteristic and their trivialization and personalization of the theme. However, strong gender consciousness and female subjectivity are revealed in their works. Based on interpretation of works of Taiwan＇s first generation women writers, we can reveal the wakening of female subjectivity of traditional women and the courageous self-breakthrough of modern women through their love and marriage stories.
出处
《中国石油大学学报（社会科学版）》
2012年第6期93-98,共6页
Journal of China University of Petroleum (Edition of Social Sciences)
基金
2010年国家社科基金项目(10BZW099)
山东大学自主创新基金项目(IFW09092)
关键词
家国叙述
性别意识
女性文学
台湾五六十年代
family-state narration
gender consciousness
female literature
in the 1950s and 1960s of Taiwan
