摘要
莫言的小说一贯纵横捭阖,酣畅淋漓,其《生死疲劳》也是如此。从五十年代的土改直到新千年的钟声响起,五十年风风雨雨,五十年高密土地上的沧桑变化,这片土地上形形色色的人的声音,都囊括在此小说内。莫言写作的用意并不仅仅是描述一段历史,他也要通过这段历史表达自己对于人生的理解,对民间文化与佛教文化关系的思考。《生死疲劳》可以说是一个众声喧哗的世界,但并非每个人物的声音都饱满鲜活,其艺术上的光彩与遗憾共生并存。
Mo Yan＇s novels usually be perpendicular, horizontal and hearty, the style of Lite and Death Are Wearing Me Out is also like this. From the land reform in the 1950s to the new millennium, ups and downs, twists and turns in the Gamy over the past five decades all included in this novel. The intention of this novel is not just to describe the period of history, but also to express the author＇s comprehension of life and the consideration of the relation between folk cultures and Buddha culture. Life and Death Are Wearing Me Out is a world which contains various sounds, but not the voices of each character are full of fresh, its artistic glory and regret coexisted.
出处
《红河学院学报》
2012年第6期56-60,共5页
Journal of Honghe University
关键词
叙事主人公
叙述声音
民间文化
佛教文化
叙述距离
narrative protagonist
narrative voice
folk culture
Buddha culture
narrative distance
