摘要
以往对雨果小说的分析多从内容与思想内涵入手,而其叙事结构却没有得到足够的重视。文章借用"复调"这一批评术语,尝试对《悲惨世界》进行结构分析,理出卞福汝主教与冉阿让的"模仿式复调"、冉阿让与马吕斯的"对比式复调",以及冉阿让自身的"微型对话"三条脉络,从而对作者精心安排的叙事结构形成整体把握。
Previous studies analysed the Victor Hugo＇s novels from their content and ideological connotation and didn＇t give sufficient attention to their narrative structure.This paper borrows the critical term of ＂polyphony＂,tries to analyse the structure of Les Miserable and sorts the following three threads：the ＂imitative polyphony＂ between Bienvenu Bishop and Ran Agen,the ＂contrast polyphony＂ between Ran Agen and Marius aswell as Ran Agen＇s own ＂mini-dialogue＂ so as to have an overall grasp of the carefully arranged narrative structure.
出处
《太原理工大学学报（社会科学版）》
2012年第6期48-51,共4页
Journal of Taiyuan University of Technology(Social Science Edition)
