摘要
文学作品的存在方式跟阅读体验活动密不可分,它是读者与文本相互作用、共同生成的过程,因此,作品即文学事件,读者即作品内在的生产要素。从这一角度看,接受理论自然成为研究文学作品存在方式最有效的方法之一。文学作品处在现实与幻想的边界,是个亦真亦幻的世界。读者就立足边界,不断往返穿越边界。正是这种"边界文化"的独特性,致使文学事件区别于现实生活事件,使文学阅读成为区别于现实经历的独特的体验活动。作为事件的文学作品是向历史开放的,其存在方式打上了时代印记。文学作品必定烙印着双重品格:作为文学文本,它是既成的、历史的;而作为事件的文学作品则只能是当代的,它是发生在当前的文学生产事件。
Being closely tied up with reading experience, the existence of literature works is the interaction and co -generation between the reader and the text. Therefore, the literature works are the lit- erature events, the readers are the inner production factors. From this point of view, the Reception Theory naturally become the most effective measure of research. The literature works constitute a world mixed with reality and fantasy which lie on the border of reality and fantasy. The readers are rightly standing at this border and keep crossing back and forth. It is the specificity of "border culture" that makes the literature events different from the events in the real life and the reading activity become an unique experiencing activity also different from the real life. Literature works as events are open to the history and their existence inevitably bear the hallmarks of their era. The literature works are undoubtedly characteristic of duality which means as literature texts, they' re accomplished and historical; but on the other hand, as the result of literature production events happened at present time, they can only be contemporary.
出处
《社会科学》
CSSCI
北大核心
2012年第11期170-176,共7页
Journal of Social Sciences
关键词
文学事件
接受理论
阅读活动
韦勒克
伊瑟尔
Literature Events
Reception Theory
Reading Activity
Rene Wellek
Wolfgand Iser