摘要
纵观越剧音乐发展轨迹,越剧新基本腔的开创常是在原有基调的基础上,再变革积累,又突破创新。越剧音乐[尺调]唱调的确立是越剧成熟的标志。[尺调]弦法色彩鲜明,移宫换调简易,板式节奏清晰。在基调的基础上发展成[慢板]、[慢中板]、[中板]、[快中板]、[快板]、[嚣板]及[散板]等多种不同的板式。每个板式可独立运用,也可连接起来,成为套板式使用。连接的方法既有规律性,又有灵活性,节奏舒展,旋律优美。[尺调]的特点委婉细腻、柔和深沉,适合戏剧人物的深沉、缠绵、忧虑、悲伤等内心活动,有较大的可塑性与浓郁的抒情性。
In the development of the music of Shaoxing opera,a new tune is usually created on the basis of the original tune.The establishment of chidiao tune is the sign of the maturity of the music of Shaoxing opera.Chidiao tune has distinctive characteristics,is easy to change the tune and has a clear rhythm.There are different rhythms of adagio,allegro,rubato etc.developed on the basis of the basic tune which can be used either independently or combined.Chidiao tune is delicate and soft,good at expressing characters＇s emotions of touching,anxiety,sadness and other inner activities.
出处
《浙江艺术职业学院学报》
CSSCI
2012年第2期60-63,共4页
Journal of Zhejiang Vocational Academy of Art
关键词
越剧
四工调
尺调
弦下调
Shaoxing opera
sigongdiao tune
chidiao tune
xianxiadiao tune
