摘要
"美的艺术"并非古而有之。同时,不论是"美"还是艺术,从古希腊到文艺复兴都有着较为宽泛的理解。直到古典美学的出现,才把"美"定位为一种无功利的审美判断,把艺术理解为理念的形式化表现,从而也建立起用"美"的观念把握艺术的"美的艺术"的理论。现代美学的艺术转向与日常生活审美化的矛盾,使得"美的艺术"面临尴尬的境地。梳理、研究历史"美"和艺术的内涵,以及"美的艺术"观念的形成,为新的历史环境下重新认识"美的艺术"提供了一种可能。
'The beautiful art' is not ancient and the At the same time, there is a broad understanding about whether it is 'beauty' or the arts from ancient Greece to the Renaissance. Beauty is positioned for a non-utilitarian art as manifestations of arts until the emergence of classical aesthetics, thus established the chain of theory of beautiful art of to grasp the art.The contradictions between the reform of modern aesthetics and the aesthetics of everyday life make the 'beautiful art' in an embarrassing situation.It provides a new possible to understand 'beautiful art' again to combine and review the connotation of 'beauty' and art in history.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2012年第5期101-105,182,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
南京艺术学院校级重点学科建设项目资助"艺术学学科存在的学理根基"阶段性研究成果(DGWQQGJ09)
关键词
美的艺术
美
艺术
beautiful art beauty art
