摘要
2004年诺贝尔文学奖得主奥地利女作家埃尔夫丽德.耶利内克在其作品中总是以叛逆而激进的姿态书写着世界的荒诞、人性中极端丑恶的存在。其作品《死亡与少女》从表面上看完全是一种无序的戏剧呈现,是种种光怪陆离的破碎形象的堆积、没有表演的"语言平面"。然而正是在这种对传统戏剧模式的颠覆和反叛中作者展示出对哲学与文学的深层解读。
The Austria writer Elfriede Jelinek, the literature noble prize winner in 2004, often depicts the absurdness of the world and the human hideousness in her works. It seemed that the writing in Der Tod und das Madchen was lack of the ＂performing language dimension＂, and it was only the sum of some absurd phenomena, which, in fact, was the writer＇ s profound interpretations of philosophy and literature
出处
《曲靖师范学院学报》
2012年第5期51-54,共4页
Journal of Qujing Normal University
关键词
外国文学
耶利内克
反戏剧
《死亡与少女》
foreigr hterature
Jelinek
against the play
Der Tod und das Madchen
