摘要
永明诗人将"四声"运用到文学写作当中,不过短短十来年,就令中国诗歌转向了以声律为基本特征的新主流。在沈约等人的努力建设之下,永明诗不但提出了自己明确的主张,并且付诸大量的创作实践,同时还编制有配合新诗理念而又服务于创作实践的工具性的韵书,甚至于,对于诗歌是否符合新的理论以及新的审音办法的评判标准,似乎也在计划之中。像这样有一套完整设计的诗歌改革,在中国诗歌史上,还是第一次。
It was only about ten years that the Yongming poets applied ＂four tones＂ into literary writing, but this brought about the new mainstream of Chinese poetry which was characterized by sound and rhymes. Through the effort of Shen Yue, who was the first person in the literary and ideological world of the Southern Qi Dynasty and the Liang Dynasty, Yongming Poetry not only put forward its own viewpoints, and had a lot of creative practice, but also edited rhyme books which embodied the idea of new poetry and served for creative practice. Furthermore, the criterion for judging whether a poem corresponded with the new theory and new approach to tone examination also seemed to have been planned. Such a complete and well-designed reform of poetry is the first one in Chinese poetry history.
出处
《杭州师范大学学报（社会科学版）》
CSSCI
北大核心
2012年第5期59-67,共9页
Journal of Hangzhou Normal University(Humanities and Social Sciences)
关键词
永明诗
齐梁文学
沈约
四声
声律
Yongming Poetry
Qi-Liang literature
Shen Yue
four tones
sound and rhyme
