摘要
从20世纪30年代滕固《唐宋绘画史》、李朴园《中国艺术史概论》所受西方风格理论与唯物史观的影响,再到20世纪下半叶英国学者柯律格的明代艺术研究及旅美华人学者方闻的中国艺术史研究的案例中,可以看出20世纪以来中国美术史研究已经改变了此前那种封闭的画史、书史研究状态,进入到国际艺术史学的大潮中。主要路径有两方面:一方面,西方的艺术史观与方法深刻地影响了中国学者的艺术史研究;另一方面,如方闻那样,以创造新的中国艺术史研究、分析方法来应对西方艺术史学的挑战,从而推动中国艺术史学的深入发展和融入国际艺术史学的大背景。
Chinese art history has changed the closed painting history into the international art tide since the 20th century as we can see from the cases of Chinese art history,such as Chen Shizeng and Pan Tianshou＇s The History of China Painting influenced by Japanese art historians in 1920s,Li Puyuan＇s An Introduction to the History of Chinese Art and Teng Gu＇s History of the Tang and Song Painting influenced by the Western historical materialism in1930s,and the British scholar Ke Lige＇s Ming art research and the Chinese American scholars Fang Wen＇s Chinese art history studies in the late period of the 20th century.There are two primary paths as following： On the one hand,the theories and methods of the Japanese and the Western have profoundly impacted on the study of art history scholars in China;On the other hand,China＇s scholars like Fang Wen have created new research methods to respond to the challenge of Western art historians so as to promote the in-depth development of Chinese art history into the international world,which should be one of the countermeasures and directions of China art history research in the 21st century.
出处
《南开学报（哲学社会科学版）》
CSSCI
北大核心
2012年第5期133-140,共8页
Nankai Journal:Philosophy,Literature and Social Science Edition
关键词
中国美术史
西方艺术史学
观念与方法
影响与对策
Chinese Art History
Western Art History
Concepts and Methods
Influence and Countermeasures
