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惠洪的文字禅与句法论 被引量:1

Hui Hong's "Literary of Chan" and Rules of Poem Sentence
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摘要 惠洪倡导"文字禅",认为语言文字是接引习禅衲子的必要工具。作为临济传人,惠洪推崇临济义玄提出的"三玄三要",将其同禅门"活句"联系起来,并认为石头、曹洞、汾阳、云门这些宗派的门庭施设与临济"三玄三要"也是相通的,"活"是它们共同的精神。让句子"活"起来的关键是句中有"眼"。惠洪论禅论诗都常常拈出"句中眼",所追求的是通过字法、句法的安排而生发出无穷的韵味。他强调:"活句"还需"活参",只有活参才能引导学者见大道之全体。追求对"活句"的参悟,不难形成对"意"与"趣"的重视,即超越一般句法探讨之上的诗歌审美追求。 Hui Hong advocated the idea of "Literary-Chan" in the field of Chan, maintaining that characters are necessary tools to guide the Chan learner. As a Successor of Linji, Hui Hong praised highly of "Three-Xuan-Three-Yao" that Linji Yixuan pro- posed. He linked it with the "flexible sentences" , and considered that the Chan means of Shitou, Fenyang, Yunmen are consist- ent with "Three-Xuan-Three-Yao". "Flexibility" is their common spirit. How to make the sentences "flexible" needs "eyes" in the sentence. Hui Hong usually proposed "eyes in the sentence" not only in discussing Chan but also in commenting poems, ai- ming at cultivating interest and charm of poem by arranging characters and sentences. Hui Hong emphasized that "flexible sen- tences" needs "flexible comprehension " , thus guiding the Chan learner to attain the realm of "Tao" consequently. And then, comprehension of "flexible sentences" deduces to the significance of implication and interest naturally, that's the higher aesthetic pursuit exceeding the common research of sentence rules.
作者 郭庆财
出处 《徐州师范大学学报(哲学社会科学版)》 北大核心 2012年第5期62-66,共5页 Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
关键词 惠洪 文字禅 三玄三要 活句 句中眼 意趣 Hui Hong "Literary-Chan" " Three-Xuan and Three-Yao" "flexible sentences" "eyes in the sentence" inter-est and charm
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