摘要
作为中国艺术史研究的权威之一,美国学者高居翰不仅在中国绘画史的撰写上作出了巨大贡献,而且提出了自己的绘画史观:一是强调对绘画作品本身的研究——视觉研究,这种内部文本研究不同于传统的画论研究;二是主张结合绘画的外部语境进行分析。高居翰认为绘画的内部研究和外部研究并不是分裂甚至对立的,绘画和历史的断裂关系可以通过他提出的"风格"研究来弥合。
As one of the authorities on the study of Chinese art history, James Cahill, an American scholar, not only makes a great contribution to the writing of Chinese paintings history, but also expresses his historical view on Chinese paintings. Firstly, he emphasizes the research on the painting in itself -- Vision Research, which is the internal text research different from the traditional painting theory research. Secondly, he advocates the painting analysis combined with the study of exter- na~ context, such as background, regional culture and the author＇s life story and so on. James Cahill holds the opinion that the internal text and the external context are unlikely to be separated and contradictory, and the ＂style research＂ can be used to bridge the gap between paintings and their history.
出处
《天津大学学报（社会科学版）》
CSSCI
北大核心
2012年第5期454-457,共4页
Journal of Tianjin University：Social Sciences
关键词
高居翰
绘画史观
艺术
社会
James Cahill
the historical view on Chinese paintings
art
society
