摘要
对周原甲骨文的审美特征进行了归结,提出了其爽劲奔放类、严整劲挺类、萧散简远类、烂漫恣肆类、写意流便类的五个艺术分期;认为周原甲骨文应出自于周人之手且横跨了殷商、周两个朝代,而萧散简远类则可能成为殷商甲骨文与西周甲骨文的分水岭;从契刻工具,书、刻的关系与涂朱、涂墨,契刻刀法与契刻笔画次序等方面探讨了周原甲骨文的契刻技法,并对周原甲骨文的用字与结字、章法进行了系统研究。指出了周原甲骨文在"自然书法观"的确立、"草甲骨文"的创造、萧散简远、烂漫恣肆、写意流便新的审美范式和微雕艺术的开创等方面的历史贡献与其应有的中国书法史地位。
This paper sums up the aesthetic characteristics of Zhouyuan oracle, and presents five artistic stages featuring the clear, strong and unrestrained style, the neat, strong and straight style, the natural, unrestrained, concise and pro- found style, the brilliant and liberal style, the freehand, fluent and informal style. It holds that Zhouyuan oracle should have stemmed from the hands of the people of the Zhou Dynasty and stretched across the Yinshang and Zhou Dynasties, whereas the natural, unrestrained, concise and profound style marks the watershed between the oracle of the Yinshang Dynasty and that of the West Zhou Dynasty. The carving techniques of Zhouyuan oracle are dealt with in the aspects such as relationships among carving tools, calligraphy and carving, together with vermilion application, ink application, engraving skills, stroke carving order, etc. The diction, character structure and composition art of Zhouyuan oracle are also systematically researched. The article points out the historical contributions of Zhouyuan oracle in the aspects such as establishment of the natural calligraphic outlook, creation of cursive script oracle, forming of new aesthetic paradigms featuring the natural, unrestrained, concise and profound style, the brilliant and liberal style, and the freehand, fluent and informal style, the creation of miniature engraving art, etc. - Meanwhile, it also present the deserved status of Zhouyuan oracle in the history of Chinese calligraphy.
出处
《西安交通大学学报（社会科学版）》
CSSCI
北大核心
2012年第4期93-102,共10页
Journal of Xi'an Jiaotong University：Social Sciences
基金
陕西省社会科学艺术学项目(201040)
陕西省社会科学基金项目(10K067)
