摘要
作为多学科分析的一个焦点,"表演"是"艺术性的"、"反思性的"、"表演性的"、"传统的"及"呈现中的"。具有不同学术谱系的"表演研究"正在趋于融合,"表演研究"的任务就是理解"表演"与"日常生活"之间的区别,阐释这些"区别"在社会生活中的形式、意义与功能。
This article makes distinctions between ＂ is performance ＂ and ＂as performance ＂ by introducing Richard Schechner＇ s jargon as the start to bring in multidisciplinary approaches on the emerging performance studies verses performance in its traditional understanding. Scholars from Performing Art Studies, Anthropology and Sociology, Literature Critics, Legal Studies, Gender Studies, Marxism, Post-Structuralism, so on and so forth, threw focus on performance as performance and its functions in social, cultural and daily life. Performance as performance is not only artistic, performative but also culturally reflective and socially expressive by adopting different forms and building in various social contexts.
出处
《世界民族》
CSSCI
北大核心
2012年第4期35-43,共9页
Journal of World Peoples Studies
基金
教育部人文社会科学青年基金项目"表演理论--口头艺术的诗学与社会学研究"(项目编号:11YJC760078)的阶段性成果
