摘要
中国学界对维柯的美学研究由朱光潜先生开启。但之后国内的维柯美学研究却有些薄弱和不够深入。到底是什么制约了维柯美学研究的进一步发展?通常被看作历史哲学家、法哲学家的维柯到底可不可以算美学家?有没有独树一帜的美学思想?当我们沉潜于维柯的全部思想之中,就不难寻找可供支撑美学研究的基点,这就是"感性"。感性和感性(诗性)智慧构成了维柯整个美学思想的核心与基础,而这在本来意义上凸显了稍晚于他的鲍姆嘉登所提出的美学学科(Aesthetica)的感性学内涵。在这个意义上,肯定维柯对于美学学科也有一定的创建之功,恐怕并不过分。
In Chinese academia, the research into the aesthetics of Giambattista Vico has not been well developed after Zhu Guan- gqian＇ s inaugural exploration. This paper tries to investigate the following problems. What has restricted the further exploration into Vico＇ s aesthetics？ Is it reasonable to regard Vico as a theorist of aesthetics with his own original aesthetic thoughts, while he was generally considered as a historical philosopher and a jurist？ Our further probe into Vico＇ s thoughts leads us to the belief that ＂perception＂ lies at the foundation of Vico＇ s aesthetics. The discussion of ＂perception＂ and ＂poetic wisdom＂ is the most impor- tant part of Vico＇ s aesthetic thoughts, and to a certain degree it highlights the significance of Baumgarten＇ s naming of ＂Aestheti- ca＂ as a discipline. In this sense, maybe it is not inappropriate to approve Vieo＇ s creative achievement about aesthetics.
出处
《文艺理论研究》
CSSCI
北大核心
2012年第4期86-93,共8页
Theoretical Studies in Literature and Art
关键词
维柯
美学思想
感性
诗性智慧
Vico aesthetic thoughts perception poetic wisdom
