摘要
古琴音乐的多声因素在复调音乐教学中的适当运用是对教学内容的有益补充。古琴音乐中特有的散、按、泛三种音色以及各种技法,为琴曲提供了同时发出多音的物质条件,构成琴曲的多声部音乐织体。文章在二声部基本对位、逆行变体、复调乐曲的教学中讲解古琴曲中含有的复调因素,总结了古琴曲中复调因素的规律,提出了一些教学建议。
The application of polyphonic factors in guqin masterpieces to polyphonic pedagogy is the favora- ble supplement to the content of courses. Guqin has three unique timbres san, an and fan, as well as various techniques, which provide the material conditions for multi - part engendered coincidentally, and constitute polyphonic texture. The article discusses the polyphonic factors which are professed in two -part counterpoint, versions of reversion and polyphonic compositions, and also summarizes the rules of polyphonic factor, and puts forward some teaching suggestions.
出处
《黄石理工学院学报（人文社科版）》
2012年第3期83-86,共4页
Journal of Huangshi Institute of Technology:Humanities and Social Sciences
关键词
复调音乐教学
古琴曲
二声部对位
逆行
多声部织体
polyphonic pedagogy
guqin masterpieces
two - part counterpoint
reversion
polyphonic texture
