摘要
徐悲鸿的中国画改良论是中国近代美术史上的重要方向标,其思想核心主要体现在两个方面:一是否定文人画传统的坚定立场;二是建立写实主义绘画的教育体系。站在今天的历史维度上,去看待这场曾经轰轰烈烈的美术改良运动,几乎是毁誉参半。徐悲鸿作为对于中国近现代美术史的走向有着巨大影响的画家、美术教育家,如何客观、科学地认识他本人及其在美术史上的作为与意义,对于中国美术史研究的方法和态度有着重要的参照价值。
Xu Bei - hong＇ s reform in traditional Chinese paintings is an important landmark in the history of Chinese modem art, it lies in two aspects ： 1 ） to deny the traditional firm position of literati paintings ; 2） to establish the educational system of realism painting. From today＇ s perspective, the once heated re- form has won equal amounts of both praise and blame. As an influential painter and art educator in the Chinese contemporary and modern art history, it is of great reference value to objectively and scientifically acknowledge Xu Bei - hong and his influence for the study of the methods of Chinese arts history.
出处
《唐都学刊》
2012年第4期71-75,共5页
Tangdu Journal
关键词
徐悲鸿
中国画改良
文人画
美术教育
Xu Bei -hong
reform in traditional Chinese painting
literati painting
arts education
