摘要
关于巫山和涉及高唐神女意象的诗歌发展到宋代,出现了与前代较大的不同,有的神女诗中神女由艳丽多情的传统形象转变成出尘的女仙,有的传统神女题材的诗歌中神女意象消失不见,与此同时借神女批判宋玉赋或楚襄王的神女诗也多起来,这种种转变所达到的共同效果是使诗歌中传统的神女意象被逐渐解构,这种现象既与当时的道教发展有关,更代表了宋代士大夫的道德选择,是宋诗与"道"的一个诠释范例。
In Song dynasty,the poetry about Wushan and the divine w oman of Gaotang have much more differences from poems in previous generations.In these poems,some traditional images of Gaotang w hich show ed much affection became abstinent goddess.In other poems,the divine w oman disappeared.At the same time,more writters wrote Shennv poetry to criticize Songyu Fu and the king of C hu.All of these transition deconstructed the tradition image of the divine woman.T he appearance of above have some connection with the development of Taoism,and has more to do with the moral selection of literati and officialdom in that era.It is also an instance of how people deal with'dao'and art.
出处
《学术界》
CSSCI
北大核心
2012年第6期155-165,287,共11页
Academics
关键词
高唐神女
意象
宋诗
The Divine W oman of Gaotang
image
Song Dynasty
poetry
