摘要
对于半个世纪之前的明末清初的遗民艺术,长期以来被贴上了种种标签。全面清理这方面问题,需要对明清之际遗民艺术的发展脉络有较为完整地呈现,本文只是结合有关龚贤的研究,拈出其中的一些重要的问题进行讨论,试图在其遗民思想变化轨迹的追踪中,为遗民艺术研究最受关注的情感问题,寻找另外的入口。
Art works made by folks of late Ming and early Qing in more than half a century ago have been tabbed signs for long.To make questions of this aspect completely clear,we need a relatively complete present of the development of the art by artists as folks of the Ming living in Qing.With the research on Gong Xian,this thesis picks some key questions to discuss,and tries to find new entrances for the questions of emotion that earned the most concerns among research of art by
出处
《南京艺术学院学报（美术与设计）》
北大核心
2012年第3期40-45,179,共6页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
龚贤
遗民情感
家国之痛
精神品质
Gong Xian feeling of being a folk of previous dynasty hurt of losing one’s nation spiritual quality
