摘要
陶望龄受王阳明心学影响,从尽心尽性的角度,提出"偏嗜必奇"说,大反程朱理学,一时振聋发聩,并奠定了他在晚明文论史上的独特地位。陶望龄此说从刘邵《人物志》"偏至之材"引出,由人物品评到文学理论,他首次揭示并盛赞了"偏"、"奇"的关系及价值,为晚明文论注入了新说。陶望龄既提倡偏奇,又强调圆美,这与他崇尚自然的审美标准有关,而他所谓"自然"又带有强烈的心学色彩。
Influenced by Wang Yangming's philosophy of heart,Tao Wangling raised that partial addiction caused strange literary style.This point was different with idealist Confucianism and had influence on the literature theory of late Ming Dynasty.Tao's viewpoint was enlightened by Ren Wu Zhi,a book written by Liu Shao in the Cao Wei Dynasty in which Liu Shao presented the theory known as Pian Zhi Zhi Cai in character criticism.For the first time,Tao revealed the value of Pian and Qi,and elucidated their relationship.Tao not only advocated Pian Qi,but also emphasized the beauty of roundness.This related Tao's aesthetic standard of nature.In Tao's context,the word of nature was endowed the color of philosophy of heart.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2012年第3期82-87,157,共6页
Journal of Tsinghua University(Philosophy and Social Sciences)
基金
国家社会科学基金青年项目"古代文论‘奇’范畴及其周边问题研究"(09CZW002)
