摘要
元明水浒戏在审美趣向上大不相同:人物形象上,元代水浒戏以俗为美,而明代水浒戏则富于伦理美;剧场氛围上,元代水浒戏幽默风趣,喜剧色彩突出,而明代水浒戏庄严肃穆更倾向于崇高之美;语言上,元代水浒戏本色当行,而明代水浒戏因文人参与而富于绮丽之美。这种审美趣向的差别折射了时代变迁。
The aesthetic taste of Yuan and Ming Shui Hu plays differed a great deal: in characterization,the yuan Shui Hu plays glorified popularity while the Ming Shui Hu plays were rich in ethical beauty;in terms of theater atmosphere,the Yuan plays pursued humor and comedy while the Ming drama pursued solemnity and sublimity;in the use of language,the Yuan plays featured colloquialisms while the Ming plays tended to use rich language.Such differences in aesthetic taste reflected the change of times.
出处
《五邑大学学报（社会科学版）》
2012年第2期33-37,94,共5页
Journal of Wuyi University(Social Sciences Edition)
关键词
元代水浒戏
明代水浒戏
审美趣向
plays of Outlaws of the Marsh
Yuan Dynasty
Ming Dynasty
aesthetic tast
