摘要
晚清小说文类在面对西方新事物时,打破了过去的沉寂,呈现出纷繁复杂、多声复义的面貌。《三侠五义》中,官、侠、盗三种不同的身份,在解读主体意识和国家想象时,产生了无法达成协调一致的喧嚷偏执状况,形成了"众声喧哗"的狂欢状态。其中,"侠"在主体意识和国家想象方面已经接近于现代性,在身体想象、自由追求和权利意识上,能够摆脱伦理纲常的束缚,朝着独立自主的人而努力;同时,对正统的皇权和法典进行了怀疑和修正,为建立现代意义的国家进行了尝试。
In the face of new things in the Wes, the novel in late Qing dynasty broke the silence of the past and demonstrated a complex and mulfivalent feature. In Three Cavaliers and Five Gallants, the three different iden- tities of officials, cavaliers and bandits in the interpretation of subjective consciousness and nation engender a para- noid situation which is not able to reach a coordinate and form a wild state of ＂conflicting voices＂. Among them, ＂ the cavalier＂ in subjective consciousness and nation imagination has been close to modernity, can get rid of the shackles of ethics and virtues in body imagination, freedom pursuit and right awareness and endeavors to become independent minds; In the meantime, it distrusts and revises the orthodox imperial power and code and attempts to establish a nation with modern significance.
出处
《绵阳师范学院学报》
2012年第4期39-43,共5页
Journal of Mianyang Teachers＇ College
关键词
《三侠五义》
众声喧哗
狂欢
主体意识
国家想象
Three Cavaliers and Five Gallant
conflicting voices
carnival
subject consciousness
nation i- magination
