摘要
中国戏曲史的研究,自王国维开始即偏重于元杂剧与明清传奇,而忽略了南宋戏文。后来钱南扬扭转了这一偏向,第一次提出"宋元戏文"的概念,才开始对南戏作全面的研究。但接着又产生了偏重于元而忽略宋的新倾向。有感于此,笔者在拙著《南宋戏曲史》的基础上,对此作进一步的研究,从揭露封建礼教下不合理的婚姻制度、抨击科举制度下富易交贵易妻现象、暴露宋金对抗时期的忠奸斗争、反映市民阶层的生活百态四个方面论述它的思想性;从高度的综合性与表演一个完整长篇的故事两方论述它的艺术成就,同时肯定了它对元明杂剧、明清传奇,直至现当代戏的深远影响。
In the study of the history of Chinese operas,much attention has been paid to Yuan zaju(poetic drama) and Ming and Qing chuanqi(tales of strange events) since Wang Guowei,a renowned Chinese scholar;in contrast,the Southern Song operas were neglected.It was Qian Nanyang,who for the first time put forward the concept of 'Song and Yuan operas',that reversed this trend and initiated a comprehensive study of the Southern Song operas.However,a new tendency was observed that highlighted Yuan but undervalued Song operas.Given this,I make further research based on my The History of Southern Song Operas.This paper expounds on the ideological orientation with their exposing the unreasonable marital system bound by feudal ethics,criticizing the abandonment of wives by men who got rich after passing the imperial civil examination,revealing the conflict between loyal and treacherous officials during the Jin-Song War,and describing all the facets of life of townspeople.It discusses their artistic achievements based on their integration of various arts in telling a long and complete story.This paper also proves their influence on Yuan and Ming zaju,Ming and Qing chuanqi and even modern and contemporary dramas.
出处
《国际社会科学杂志（中文版）》
2011年第4期133-141,12,共10页
International Social Science Journal（Chinese Edition）
