摘要
从整体上审视,"沉厚静穆"的美学理念贯穿了中原古代绘画的发展历程,成为中原绘画独具特色的地域性格。在五代北宋,中原绘画完成了从"真境"到"诗意"的转换,继而又分化为宫廷的、文人的、民俗的三类不同的审美趣味。中原古代绘画的发展与学术文化、王朝政治,甚至帝王宗亲的个人偏好都有着密切的联系。
Survey from the whole situation, the aesthetic concept of solemnity and stillness went through the development of ancient painting in Central Plains, which became the unique regional character. In the Five Dynasties and the Northern Song Dynasty, the Central Plains painting accomplished the conversion from the ＂real landscapes＂ to ＂poetry＂, and then evolved into three different aesthetic interests, i.e. the court, the scholars and the folk custom. The development of ancient painting in Central Plains has a close connection with the academic culture, dynasty and politics, even an emperor＇s personal preference.
出处
《河南教育学院学报（哲学社会科学版）》
2012年第3期38-43,共6页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
中原绘画
沉厚静穆
真境
诗意
Central Plains painting
solemnity and stillness
true landscapes
poetry
