摘要
钱孟钿,"随园女弟子"之一,其父钱维城,乾隆十年(1745)状元,是当时深受乾隆赏识的文学侍臣之一。其叔父钱维乔,亦称名于时。其母金氏,外祖母杨姗姗,外曾祖母方京都能诗会画。在这深厚的家学影响下,孟钿创作了独具风采的诗歌,受到以袁枚为代表的具有主流话语权的诗人的高度赞誉。而孟钿平生颇多交游,不仅与闺阁姊妹交往甚欢,也与男性诗人进行诗歌唱和,再加之有随夫游宦的经历,为其诗歌创作注入了君子之气,给当时盛行的闺阁诗中吹进一股豪宕潇洒之风,值得重视。
Qian Mengdian was one of the ＂women disciples of Suiyuan＂. Her father Qian Weicheng, the Number One Scholar in the year of 1745, was a literary courtier highly-appreciated by Emperor Qianlong. Her uncle Qian Weiqiao was also fairly well-known during the time and her mother Jin, grandmother Yang Shanshan and great grandmother Fang Jing were all good at the arts of poetry and painting. Fully nurtured by the family culture, Qian Mengdian wrote poems of a unique style, which was thought highly of by Yuan Mei and other authoritative mainstream poets. Being a sociable person, Qian Mengdian not only made a lot of female friends but also exchanged poems with male poets. Moreover, she accompanied her husband as he worked as officials at various places. All these gave Qian＇s poems a manly touch, which is unusual among the works created by women poets. Therefore, Oian＇s poems well deserve academic attention and study.
出处
《苏州教育学院学报》
2012年第1期46-48,共3页
Journal of Suzhou College of Education
