摘要
钟鼓司(四斋、玉熙宫)、教坊与青楼是联系明代宫廷与地方演乐文化的重要枢纽。钟鼓司、教坊是明代宫廷演乐系统的中杻,承担着宫廷音乐、演剧、舞蹈等乐舞的组织、编排等任务。青楼既包含以乐户为主体的朝廷音乐人,也包括以出卖色艺而谋生的妓户组织,是明代民间演乐文化的集中代表。明代乐户因其精于演乐歌舞,且上达于禁廷宫闱,下通于下里烟花,故为明代之"钟鼓司、教坊与青楼"这一演乐文化动脉注入了新鲜血液。
In the Ming dynasty, the Bell and Drum Administration （zhong gu si） that governed Sizhai and Yuxi Palace, the Royal Academy （jiao fang） and brothels served as important links between the royal and the popular performances. The Bell and Drum Administration and the Royal Academy as the core institutes of court performances were responsible for creation and organization of musical, theatrical and dance performances in the imperial court. As brothels consisted of registered musicians who were the main body of court performers, as well as prostitutes who engaged in erotic performances, they became the center of popular drama and music in the Ming Dynasty. The registered musician who played both in the imperial court and popular entertainment venues brought fresh dynamics to the performance culture in the Ming Dyansty.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2012年第1期81-90,共10页
Drama:The Journal of the Central Academy of Drama
关键词
明代演乐
乐户
教坊
钟鼓司
青楼
performance in the Ming Dynasty, registered musicians, the Royal Academy, the Belland Drum Administration, brothels
