摘要
长期以来歌诗被简单地当作诗歌,歌诗研究往往局限于纯文本研究,与之相关的配乐、配舞、表演者、观赏者、表演方式,以及受这些要素影响所形成的歌诗文本在语言艺术方面的诸多特点,被人为地忽略了。《魏晋南北朝乐府制度与歌诗研究》一书,从全新的视角出发,采用新的方法和思路,对这些相关问题进行了细致的探讨,不仅结论新颖稳妥,拓展了歌诗的研究领域,对于其它相关领域的研究工作,也有其独特的启发意义。
For a long time, poetry was simply seen the same as poems, and the study of which was limited to the study of pure text. It is easily ignored regarding the related music, dancing, performer, audience, way of performance, as well as the linguistic and artistic characteristics of the text of the poetry formed by those factors mentioned above. The book Study of Yuefu System And The Poetry During The Wei,Jin And Southern and Northern Dynasties applying new methods and materials, from a completely different perspective, further discussed about the questions listed above. The conclusion of the book is unique and reliable. The study not only greatly broadens the research area of poetry, but also has great inspiriting significance when it comes to some other related fields.
出处
《山西大同大学学报（社会科学版）》
2012年第1期94-96,共3页
Journal of Shanxi Datong University(Social Science Edition)
关键词
歌诗
音乐
歌舞
乐府制度
表演性
娱乐性
poetry
music
dancing
Yuefu system
performing
entertainment
