摘要
法国女作家玛格丽特·杜拉斯的晚年名作《情人》和中国女作家陈染的成名作《与往事干杯》分别讲述了两个女性的情感往事,一系列男性形象在其中扮演了相似的角色。借助现代女性主义理论,阐释和比较两位女主人公与男性角色的各种关系,进而揭示女主人公在两性关系中自我发现,自我塑造,走出既相似又相异的人生轨迹,并剖析其深层原因。
Female emotional memories are both articulated in the novellas The Lover by the French writer Duras and Toast with the Past by the Chinese writer Chen Ran, in which male images play similar roles. This paper tries to make a comparative study on the different sexual relations of those two novellas in light of the mod- em feminist theory, to further reveal the heroines＇ self-discoveries and how they shaped themselves in those sex- ual relations.
出处
《龙岩学院学报》
2012年第1期108-112,共5页
Journal of Longyan University
