摘要
通过对二十世纪斯堪的纳维亚地区的设计与中国明代设计二者代表性作品(家具、陶瓷)的造型、工艺特点的梳理,列举和分析它们设计特点、设计思想的"巧合"之处,解开这两个不同时代、不同地域设计"巧合"的根本原因。研究表明,二者出现"巧合"的根本原因在于社会经济背景相似、传统文化的继承发展态度相同,以及对外来文化的吸收与交流态度相同。异域文化交流与传统文化继承发展,无疑是中国当今艺术设计及其发展的重要手段。
By description,examples,and analysis,this article studies the coincidence between Scandinavian artistic designs and that of Ming Dynasty of China.It compares and analyses the characteristic patterns and technology of exemplary furniture and china in the two different backgrounds with the findings that their designs have coinciding philosophy and characteristics.The reasons underlining the coincidences are rooted in the similar social backgrounds and identical attitudes towards carrying on of traditional culture and the same attitudes towards assimilating and exchanging foreign cultures.Cultural exchange and carry-on of traditional culture is no doubt the major means of contemporary Chinese artistic design and development.
出处
《天津职业大学学报》
2011年第6期92-95,共4页
Journal of Tianjin Vocational Institute
关键词
斯堪的纳维亚设计
明代设计
巧合
design of Scandinavian
design of Ming Dynasty of China
coincidence
