摘要
以广西三剑客为领军的文学"桂军"在九十年代以来的文坛迅速崛起,不仅在创作界、评论界引起巨大反响,也在更大范围的文学界和影视界掀起波澜。作为文学"桂军",他们有清醒的自我身份认知和文化上的地域性觉悟,无论是已经"逃离"出广西的作家,还是至今依然坚守在这片土地的大多数,几乎都是以一种具有边缘性色彩而向主流文化中心追溯和靠拢,以期获得在当代文学中"桂军"的位置和价值,并进一步向文学的更深层意义上开拓,这包括对现实的关怀和哲学向度上的探索。
The Gui Army of literature led by the three musketeers in Guangxi rose abruptly in 1990s and caused a tremendous echo in the fields of creation and critics, and also raised waves in more extensive literary cir- cles and film ＆ TV industry. As a literary army of Guangxi, they have a clear awareness of self - identity, and lo- cal cultural consciousness. Whether they are writers escaping from Guangxi, or still remain in the land, they all run close to the mainstream culture center with marginal color in hopes of obtaining and extending further in literature, which include the concern with reality and the position and value of Gui Army, exploration of philosophical dimensions.
出处
《菏泽学院学报》
2011年第6期46-50,共5页
Journal of Heze University
基金
2010年度广西研究生教育创新计划项目"地域与民族风情--论‘广西三剑客’"系列成果之一。(项目编号:2010106030501M18)
关键词
广西三剑客
桂军
地域性
边缘性
three musketeers in Guangxi
Gui Army
regionalism
marginality
