摘要
在传统绘画中,画家把作为家居陈设的屏风当成特殊的绘画符号和重要的视觉形象,屏风成为画家表达外在空间与内心世界的媒介。画家选择屏风,并通过对屏风的描绘,探寻出一种独特的表达方式与感知方式。在他们的作品里,屏风已经游离于现实生活中作为室内陈设、绘画媒材、身份象征的实际功能,而成为画家谱写图画乐曲的小节线、定格人文景观的取景框、表达心灵家园的反射镜。
Among traditional painting,painters took screen,a decoration at home,as a special painting symbol and important visual form,and screen became a medium for painters to express the space outside and the inner world.Painters choose a screen,and through painting on the screen,so as to explore a unique way of expression and sense.In their works,the screen has dissociated from practical function in real life as domestic decoration,painting material and identical symbol,but became bar line in the music of painting by painters,frame to embrace human view,reflection mirror to express the home in heart.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2011年第6期156-158,8,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
屏风
解读
传统绘画
Interpretation traditional painting screen
