摘要
交叉性在拟超文本文学和超文本文学之中都有相似的存在,其表现在两个方面,即图文交叉与声像化转向,前者由文字造景和语图互文构成,后者则走向一种视听交叉的超媒体。这深刻地体现了拟超文本和超文本的内在关联,超文本并不是一夜之间突现的文学"怪物",而是拟超文本历史积淀的结果。但两者的交叉性却又并不相同,从拟超文本到超文本发生了从静态向动态、单层向多层、平面向立体等多方面的新变,超文本因此而浸染着独特的"机器诗意"。
Intertextuality exists in both hypertexts and quasi-hypertexts,which finds expression in intersection of words and images and the turn towards sound and image.The former consists of words landscaping and the combination of words with mages,while the latter progresses towards a kind of hypermedia.Hypertexts and quasi-hypertexts have close connections.Hypertexts are not a literary ＂monster＂ cropping up overnight,but the result of historical development of quasi-hypertexts.However,their intertextuality is not the same,and there＇s a development from static to dynamic,from monolayer to multilayer,and from plane to solid.Consequently,hypertexts are imbued with a special ＂machine poetry＂.
出处
《武汉科技大学学报（社会科学版）》
2011年第6期725-730,共6页
Journal of Wuhan University of Science and Technology:Social Science Edition
关键词
交叉性
拟超文本文学
超文本文学
intertextuality
quasi-hypertext literature
hypertext literature
