摘要
汪曾祺的叙事理论,既自成体系,又有鲜明的民族特色。在叙述语式上,他认为小说是第三人称的艺术,人物对话要平淡自然,叙述语言要讲究"语态",叙述态度要含蓄节制;在叙述语态上,他主张直叙,反对穿插,注重叙述节奏的变化,欣赏"空白"艺术,提出了"惟悠闲才能精细"的观点;在叙述结构上,他讲究起止自在,匀称自然,反对故事性过强,并创造性地阐释了煞尾、度尾、断续、伏应等传统观念。汪曾祺的叙事理论,以实践性、传统性和创新性显示了自己独特的个性。
In the narration language type, Wang Zeng-qi thought that novel is the third person art, and character＇ s dialogue should be extremely light; On the narration voice, he advocates straight narrates, extremely pays attention to the change of the narration rhythm, appreciates the esthetic function of ＂the blank＂ ; In the narration structure, he advocates that the opening and the ending of the article should be natural, and creatively explains some traditional ideas.
出处
《齐鲁学刊》
CSSCI
北大核心
2011年第6期154-157,共4页
Qilu Journal
关键词
汪曾祺
第三人称
语态
空白
叙述结构
Wang Zeng-qi
the third person
voice
blank
narration structure
