摘要
古代词家论者仅从词与音乐协不协律来区别婉约派与豪放派,有失偏颇。豪放派突 破音乐的局限而写词的原因,必须从时代环境、社会生活、个人气质等方面去分析。婉约派与豪 放派在题材、意境和情调、表现方法、语言等方面各具特色,对于读者都具有认识价值、审美价 值和艺术借鉴的意义。
It is pointed out that the ancient ci writes and critics distinguished between the partialities of the Wan Yue School and the Hao Fang School only by whether the ci and music harmonize meter with each other. It is stated that the Wan Yue school appeared first in the ci circle and that the reason for the going beyond the limits of music of the Hao Fang School should be analyzed from times and surroundings, social life and individual disposition, etc. A comparison is made between the two schools on themes, artistic conception, emotional appeal, techniques of expression and language, etc. Both two schools are considered as having significance in cognitive value, aesthetic value and artistic reference for readers.
出处
《广东农工商职业技术学院学报》
2002年第3期68-72,共5页
Journal of Guangdong Agriculture Industry Business Polytechnic
关键词
婉约派
豪放派
词风
比较
婉约绵丽
纵横豪爽
the Wan Yue school
the Hao Fang school
ci style
comparison
mild and touching
free and straightforward
