摘要
“1981年，美国艺术家理查德·塞拉（Richad Serra）的《倾斜的弧线》在纽约联邦广场落成。这是一件12英尺高，120英尺长的作品，由一种露天环境中会生锈的钢板制成的巨大弧形雕塑横贯整个广场。落成后即引起争论，居民们说这件作品破坏了广场空间并阻碍了行人。尽管委托方不愿意接受大众意见，
Who is the audience for sculptures,is it the government? Or is it the population of a certain area? For more obvious reasons,instead of writing the 'pub' in public,Chinese sculptures usually put the 'pub' in publicity.Government officials who try very hard to impress the central would do anything to make themselves look good.If we were to ask the same question again,how should the sculptures in China face the public,the answer should be something along the lines of 'Stay artistic,stay free minded.'
出处
《雕塑》
2011年第5期50-52,共3页
Sculpture
