摘要
诗人在创作中,主体心理与外部世界之间存在一种独特的转换机制,即审美相似律。而这条规律恰恰就是使诗人将本来与人无涉的外在事物变为主观存在,再由主观存在升华为新的客观存在的心理规律。而这客观主观化和主观客观化的互动基础或前提是客观与主观之间存有某种直观的相似性,诗人正是凭借这种直观的相似性来寻找艺术的感性形式。文章将通过对王维山水田园诗外在的艺术形式进行分析,以明晰王维诗歌创作中外形式生成的心理机制。
There exists a special transformational mechanism between the poet’s mind and the external world,that’s aesthetic resemblance.The poet uses this directly-perceived aesthetic resemblance as the base or prerequisite for making the external things into subjective existents which in turn change into new objective existents.It is this directly-perceived resemblance by which the poet can seek for their art forms.The paper makes an analysis of art form of Wangwei’s landscape poetry to show the mental mechanism by which his art form is generated in his poetry composition.
出处
《红河学院学报》
2011年第3期68-70,共3页
Journal of Honghe University
关键词
王维
山水田园诗
心理机制
审美相似律
Wangwei
Landscape poetry
Mental mechanism
Aesthetic resemblance.
