摘要
上世纪80年代开始,图像学作为一种有效的美术史研究方法被陆续引介国内,促进了国内美术史研究的发展。但图像学本土化过程中的一些问题也没有得到真正有效地探讨。在这种情况下,一方面我们借用图像学方法在中国美术史研究领域取得了一定的成绩,另一方面,由于目前国内的很多理论研究者缺乏对图像学的反思意识,泛阐释、误读的嫌疑依旧存在。本文正是源于此,力图进行一次对图像学在国内译介及运用状况的再梳理。
Since 1980s,iconology was introduced into China as an effective research method of art history,and enforced the development of art history study in China.But some questions in the process of its localization were not discussed effectively in the real manner.Under such circumstance,with iconological method,we have made some achievement in the field of Chinese art history,while doubts such as paninterpretation,misreading still exist because many Chinese theorists lack the reflecting consciousness to iconology.Because of this current situation,this thesis tries to re-organize the translation,introduction and application of iconology in China.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2011年第5期48-55,177,共8页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
图像志
图像学
中国美术史
复制时代
本土化
Iconography,iconology,Chinese art history,time of copy,localization
