摘要
以认知语用学中的关联理论为框架,以美国著名作家马克.吐温的代表作之一《哈克贝利.费恩历险记》为文本,从宏观(全文叙述的情节所体现的主旨)和微观(小说言语的词句细节)的角度对《哈克贝利.费恩历险记》的特色语言——反讽分析,结果表明关联理论运用于文学批评不仅可行,而且突破了结构语言学的框架,把语言学阐释和文化批评、心理学批评连接了起来,实现文学文本的"整体性"认知——既有文本内部的细致探究,又有外部历史文化背景的宏观考量,可谓内外兼顾。因此可以说,关联理论为文学批评提供了在认识论和方法论上创新的可能。
Taking cognitive pragmatics＇ relevance theory as framework and The Adventures of Huckleberry Finn, the masterpiece of the famous American writer Mark Twain as version, this thesis aims to analyze its irony, the characteristic feature of the novel, in the ways of macro-angle （subject reflected in the discourse） and micro-angle （verbal details of speech acts）. The present study shows that irony of various forms in literary works, just like that of ＂ordinary language＂, can be described within the framework of relevance theory. This also demonstrates that relevance theory employed into literary criticism can help to break through the structural linguistics framework and get the combination of linguistic criticism, cultural criticism and psychological criticism, thus to achieve ＂overall＂ understanding： both detailed inquiry within the text, and external historical and cultural background beyond. Therefore, it proves that the applicability of relevance theory to literary criticism may provide the possibility of innovation in epistemology and methodology.
出处
《广西师范大学学报（哲学社会科学版）》
北大核心
2011年第5期62-67,共6页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
基金
北京语言大学青年自主科研支持计划资助项目(中央高校基本科研业务费专项资金资助)
关键词
关联理论
文学批评
哈克贝利·费恩历险记
反讽
Relevance Theory
literary criticism
The Adventures of Huckleberry Finn
irony
