摘要
文章基于"文化人类学/音乐人类学"学理基础的"民俗音乐研究"实践。分两部分:一是对作为"地方知识体系"的民俗音乐研究的学理思想之钩沉;二是梳理笔者多年来以系列课题实践其理论,坚守"主～客位"跨文化学理方法,在"岭南民俗音乐"的考察、整合、转换、阐释四个层面所进行的音乐人类学实践。
This paper focuses on ＂ folk-custom music research＂ practice based on the theory of ＂ cultural anthro- pology/ethnomusicology＂. It is divided into two parts： firstly, it explores the theoretical thinking of folk-custom music study as a ＂ local knowledge system＂; secondly, it elucidates how the author systematically carries on researches on ＂Lingnan folk-custom music＂ with cross-cultural idea and method of ＂emic-etic＂. It also illustrates the author＇s ethnomusiocological practices of ＂Lingnan folk-custom music＂ on four dimensions： data-collection （field- work）, systematization, conversion and interpretation.
出处
《星海音乐学院学报》
CSSCI
2011年第3期50-58,共9页
Journal of Xinghai Conservatory of Music
基金
2008年广东省普通高校人文社会科学重点研究基地重大项目(项目编号:08JDXM76001)
关键词
岭南民俗音乐研究
音乐人类学实践
实地考察
原生资源整合
传统功能转换
阐释民族志
＂Lingnan folk-custom music＂ research
ethnomusicological practice
fieldwork
systematization of the original resource
conversion of traditional function
interpretative ethnography
