摘要
从物我关系的不同处理方式考察,《文选.赋》"物色"类所录作品与先唐其他物色赋的艺术结构类型大体有以主观意绪结构全篇和以对象的空间布局结构全篇两种。《文选.赋》"物色"类所录作品全为以主观意绪结构全篇,部分先唐物色赋以对象的空间布局来结构全篇。从艺术审美的角度言,以对象的空间布局结构全篇的物色赋,缺乏激动人心的感情力量,并不是成功的作品;而以主观意绪结构全篇的物色赋,则具有永恒的艺术生命力。《文选.赋》"物色"类所录全为以主观意绪结构全篇的作品,充分说明了萧统不一般的艺术眼光。
According to different ways of dealing with relationship between material world and writer,there are two artistic structure types in the works selected in the＂scenery＂category of Wen Xuan ？ Fu and other scenery fu in Pre-Tang Dynasties,namely structured by subjective conciousness and structured by the spatial layout of objects.All works selected in the ＂scenery＂category of Wen Xuan ？ Fu are structured by subjective conciousness,and part of the scenery fu in Pre-Tang Dynasties are structured by the spatial layout of objects.From the point of view of arts aesthetics,scenery fu structured by the spatial layout of objects lack of stirring emotional power,thus not so successful;on the other hand,those structured by subjective conciousness possess eternal vitality of the arts.All works selected in the ＂scenery＂category of Wen Xuan ？ Fu are structured by subjective conciousness,which fully illustrated Xiao Tong＇s unusual artistic vision.
出处
《宜春学院学报》
2011年第7期80-83,共4页
Journal of Yichun University
关键词
《文选.赋》
“物色”类
先唐
结构类型
Wen Xuan Fu
＂scenery＂category
Pre-Tang Dynasties
Structure types
