摘要
今天（2010年3月27日）我参加《李元庆纪念文集》首发式,感到很荣幸,也非常高兴。前天接到中国艺术研究院音乐研究所的通知来参加这个会,我就与老伴冯文慈一起回忆了我们所了解的关于元庆同志的一些事迹与贡献,以及＂文革＂后期,我们请音乐研究所的张家仙同志带我俩到元庆同志家里看望他的情景。那个时候他由于在＂文革＂中遭到残酷的打击,已重病在身,非常瘦弱,但精神尚好。我俩那时借调在文化部音舞室音乐组（即音乐研究所）组织的《中国音乐史》编写组工作。元庆同志很关心这个组的同志和工作,但他那时还是个受审查＂靠边站＂的人物,在那政治高压的年代里,他有话难说,真令人痛心。
Today(on March 27,2010),it is a great privilege and plea sure for me to attend the book launch of The Collected Essays in Commemoration of Li Yuanqing.Li's knowledge about the history of modern and contemporary Chinese music develop ment was profound and filled with his own passion.In his youth,he had already realized that a summary of historical ex periences and lessons was critical to the construction of the New China's music culture.So in early 1950's,when he just started his new mission in charge of the building of the Institute of Music Research,he listed the construction of the discipline of modern and contemporary Chinese music history as one of the major research subjects in the institute,and was later on engaged in the planning and instruction for the Exhibition Room of Modern and Contemporary Chinese Music History,the Exhi bition Room in Commemoration of Ni Er,and the Exhibition Room in Commemoration of Xian Xinghai,etc.Such exhibition rooms formed fine academic platforms on which a large number of precious historic data had been collected so as to promote the academic development,enlarge their influences both at home and abroad,and create an important base for the con struction and research of the young discipline of modern and contemporary Chinese music history.On March 7,1959,when he was presiding at a meeting of the compiling team to discuss the writing outlines for The Brief History of Modern and Contemporary Chinese Music,he made an important speech.According to a mimeographed copy pro vided by Feng Wenci,Li Yuanqing made the following remarks on the entire outlines:1)the book must be integrated on the whole with coordination between each chapter;2)it must have comprehensive opinions on music culture.Such elements as the love songs during the May 4th Movement,traditional music like Mei Lanfang's Peking Opera music,as well as the achieve ments of folk ballad artists should not be neglected;3)Special rules and experiences in terms of music should be emphasized;4)analysis of a composer should be over
出处
《人民音乐》
CSSCI
北大核心
2011年第9期58-59,96,共2页
People’s Music
