摘要
许多人类学家认识到,艺术史能够为人类学家提供一种视野,即将艺术品视为观看的物化方式,并且在不同的文化和不同的历史时期呈现出各异的面貌。时至今日,艺术学不再将自己封闭在一个狭小的象牙塔中,认为艺术与日常生活无关,与民众的行为及社会的互动无关,只是一些高雅圈子里的为艺术而艺术的产物。艺术的研究需要人类学的视角及养分。文章分别从后代主义思潮下的艺术人类学发展、艺术人类学理论、艺术民族志观点,概要描述20世纪70年代以来,西方艺术人类学的发展脉络、学者们普遍关注的理论命题、艺术人类学方法论的创新实践,以及对当前中国艺术人类学研究的启示。
Many anthropologists also recognize that art history can provide a vision for the anthropologist. It is about taking art as a materialized way of viewing, and showing different faces in different cultures and different historical periods. Nowadays, Arts is no longer enclosed in their small ivory tower, and doesn＇t think everyday life that has nothing to do with art, people＇s behavior and social interaction have nothing to do it also, but some of the elegant circles of art for art＇s product. The researches on Art need anthropological perspective and its nutrients.
出处
《江南大学学报（人文社会科学版）》
2011年第4期100-108,共9页
Journal of Jiangnan University：Humanities & Social Sciences Edition
