摘要
中国最早的佛像是发现于重庆的延光四年(公元125)的摇钱树佛像,而北方最早的纪年佛像在此200年之后,这表明中国的佛教造像首先在长江流域兴起,然后,北方丝绸之路与黄河流域的佛像艺术才次第兴起。长江沿线的早期佛像,集中于汉晋时期,主要受古印度恒河流域的贵霜秣菟罗流派的影响。南朝时期,南方的佛像,与古印度南部、斯里兰卡和东南亚的关联较密,不仅有斯里兰卡的佛像传入中国,梁武帝也曾使人去印度求取佛像。无论是"秀骨清相"还是"面短而艳"都带有异国情调的造像的特征。
The earliest Chinese figure of Buddha is the money tree Buddha which found in Chongqing in 125 A.D. and the earliest accounts of Buddha in north china are about 200 years later. This shows that Chinese statue in the first rise in the Yangtze River basin, and then Figure of Buddha art in the Silk Road and the Yellow River Valley are rised one after another. The early figure of Buddha along Yangtze River centralizes in Han and Jin dynasty, mainly influenced by Kushan Mathara schools in Ganges River valley of Ancient India. In the Southern Dynasty, the figure of Buddha In north China is more associated with the ancient southern India , Sri Lanka and Southeast Asia. In that times,not only has the figure of Buddha of Sri Lanka was introduced into China, hut also Liangwu Emperor sent People go to India for figure of Buddha. In addition to ＂thin looks＂ and ＂face short and colorful＂, there leaves a lot of figure with exotic emotional appeal.
出处
《湖南大学学报（社会科学版）》
CSSCI
北大核心
2011年第5期117-122,共6页
Journal of Hunan University(Social Sciences)
关键词
长江流域文化
佛教艺术
印度佛像
中印文化交流
Yangtze river culture
Buddhist art
India figure of Buddha
India and China cultural exchange
