摘要
滕固《唐宋绘画史》是民国时期第一部中国画史断代研究成果,影响颇著。然而针对此书写作所据之"底稿"的认定,目前学界仍有所偏误。通过细致考证,"底稿"最初写作时间应在1926年年中;《唐宋绘画史》所据之"底稿"既不是《关于院体画和文人画之史的考察》,亦非滕固1932年提交的博士论文。理清其中系列关系,对探讨滕固自《中国美术小史》至1933年的画史专题研究状况以及其博士学位能以较短时间取得之原因,都会有所裨益。
A History of Tang and Song Painting written by Teng Cu during the Republic of China period is the first dynastic history on Chinese painting. Scholars hold wrong opinions as to the ＂draft＂ n which this book was based. The current author finds out that the ＂draft＂ was first written in 1926 and should be neither an article entitled ＂The History of Academy School and Literati Painting＂ nor Teng Gu＇ s PhD dissertation submitted in 1932. Clarification of this issue helps the understanding about Teng＇ s studies on painting history from the completion of A Brief History of Chinese Fine Arts until 1933. It also answers why Teng had obtained his PhD degree within a very short time.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2011年第8期88-96,共9页
Journal of National Museum of China
关键词
滕固
《唐宋绘画史》
“底稿”
博士论文
Teng Gu
A History of Tangand Song Painting
＂draft＂
PhD dissertation
