摘要
在伯格曼的影片《呼喊与细语》中,身体及对身体的触摸以前所未有的方式被凸现出来,身体在时间中彰显其意义。正是在时间中,身体成了人与人纠结的场所,人与神沟通的桥梁,发出了它不可遏制的呼喊与细语。由此,玛丽亚与卡琳扑朔迷离的关系得到了解读:古老的红色背景中玛丽亚的美丽身体彰显了它在时间中的意义;安娜与艾格尼丝"此在"的身体,把过去和未来交织和融为一体,完成了人与神沟通的重责。正是在这个意义上,我们也许可以说,伯格曼的影片《呼喊与细语》就成了世俗版《圣经》关于身体的神性的"呼喊与细语"。
In Ingmar Bergman' s film Cries and Whispers,body and body touch come out in an unprecedented way,and body displays its significance inside the time.It is by this way that body becomes a place where human beings entangle each other,and a bridge where human beings and God communicate,sending out unrestrained cries and whispers.As a result,the mysterious relation between Maria and Karin is interpreted: Maria' s beautiful body in the ancient and red background shows its significance inside the time;the present bodies of Anna and Agnes are a mixture of past and future,accomplishing the mission of communication between human beings and God.It is in this sense that we may say that Ingmar Bergman' s film Cries and Whispers becomes a worldly version of the Holy Bible,interpreting body' s deiform cries and whispers.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2011年第4期28-36,共9页
Journal of Shanghai University(Social Sciences Edition)
关键词
英格玛·伯格曼
《呼喊与细语》
身体
人神沟通
Ingmar Bergman
Cries and Whispers
body
communication between human beings and God
